![]() ![]() In 1926 he moved to Paris and developed his miniature circus. He attended the Art Students League, where he was influenced by artists of the Ash Can school. Among them are (in alphabetical order): Henri-Georges Adam, Pierre Alechinsky, Bacon, Jean Bazaine, Georges Braque, Pol Bury, Alexander Calder, Marc Chagall, Roger Chastel, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Lindner, Henri Matisse, Joan Miró, Jacques Monory, Pablo Palazuelo, Paul Rebeyrolle, Jean-Paul Riopelle, Saul Steinberg, Pierre Tal-Coat, Antoni Tapies, Raoul Ubac, Bram van Velde.Īlexander Calder was born on Jin Lawnton, Pa. ![]() The magazine covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Its original articles and illustrations (mainly original color lithographs by the gallery artists) were famous at the time. Maeght's ambition in establishing his print shop and his publication magazine Derriere Le Miroir was to make available to a broader audience less expensive printed imagery by the artists of his time, many whom were represented by his Paris gallery. The magazine Derriere Le Miroir was created in October 1946 and published without interruption until 1982. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. In October 1945, the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. Being a front cover page, there is some light wear associated with age and handling. Text by Giovanni Cardente and Jacques Dupin. Published by Maeght, Paris, October 1968. Edition issued by Galerie Maeght for "Derrière le Miroir No. Among the titles available there are volumes containing works by Calder, Braque and Miro and i can only give the highest recommendation to these very nice books with great art within them.About An original lithograph on smooth wove paper by American artist Alexander Calder (1898-1976) titled "Derriere Le Miroir No. Still has a nice selection of this great and historic series. The series eventually stopped in the early eighties, but during the time of its publication the artist within the series got an opportunity to make a publication for “everyman” . really impressive and because they were not numbered nor signed they were published with a reasonable retail price, but they stayed affordable and when you calculate the price per original lithograph, they are right out “cheap”. depending on the number of pages there were at least 2, but in many cases 8 to 10 originals to be found in each number and sometimes they were printed over 2 pages, which made the size 22 x 14.8 inches. Beside the normal illustrations there were original lithographs in almost each volume. What makes this series so great is the original lithographs that are included in each volume. Many great names were presented within this series and beside the many Miro publications, there were also volumes devoted to Picasso, Braque, Calder, Bazaine and many others. One publication in particular stands out …and that is the DERRIERE LE MIROIR series….which was published from 1946-1982. Beside the exhibitions they organized, they are also a very influential publisher in the art scene. Maeght editeur is one of the leading art publishers from the last 50 years. ![]()
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